Media Interviews are coordinated by:
Allison Zucker-Perelman, Relevant Communications | 561.715.9525 | firstname.lastname@example.org
FOR IMMEDIATE RELEASE:
Peanuts Artist Tom Everhart Brings Exhibition of New Works to New York City
Everhart Available For Interviews (click here for media alert)
New York, NY – (March 2013) – Artist Tom Everhart, world-renowned for his paintings of Snoopy, Charlie Brown and the entire cast of Peanuts, presents his latest exhibition entitled Rollin With the Homies at AFA, where is work is on permanent exhibition in New York, New Orleans and Las Vegas.
TOM EVERHART B-ROLL: http://vimeo.com/62756421
This extraordinary Collection of works will be on exhibition and available for acquisition at AFA in New York City www.afanyc.com beginning May 18 through June 18, 2013. Everhart painted alongside legendary Peanuts creator Charles Schulz and is the only fine artist educated by Schulz. In 1988, Schultz encouraged Everhart to carry forward his comic strip creations to the fine art form – and to extraordinary results: Everhart’s Peanuts related work went on to show in museums and galleries around the world, including a show at the Louvre. Today, Everhart remains the only artist who will ever be allowed to paint any aspect of Peanuts.
VIDEO CLIP: Video by Dreamworks; Tom’s story
Artwork is available for acquisition and all appearances are open to the public beginning May 18th, 2013.
Opening Public Reception: Saturday, May 18th, 7pm-9pm 2013
54 Greene Street
New York, NY 10013
RSVP Required email@example.com or Telephone: 212-226-7374
Dates: ART ON EXHIBITION AND AVAILABLE FOR ACQUISITION MAY 18 – JUNE 18, 2013
About Tom Everhart
Tom Everhart was born on May 21, 1952 in Washington, D.C. He began his under graduate studies at the Yale University of Art and Architecture in 1970. In 1972 he participated in an independent study program under Earl Hoffman at St. Mary’s College. He returned to the Yale School of Art and Architecture in 1974 where he completed his graduate work in 1976, followed by post-graduate studies at the Musee de l’Orangerie, in Paris. He taught Life Drawing and Painting, briefly from 1979 to 1980, at Antioch College. This exhibition is greatly inspired by the Artists’ years in New York spent with and inspired by fellow Artists Jean-Michel Basquiat and Andy Warhol, among others.
As a result of Charles Schultz’s wishes, Tom Everhart will be the only artist ever allowed to work with the Peanuts subject matter.
In 1980, Tom Everhart was introduced to cartoonist Charles M. Schulz at Schulz’s studios in Santa Rosa, California. A few weeks prior to their meeting, Everhart, having absolutely no education in cartooning, found himself involved in a freelance project that required him to draw and present Peanuts renderings to Schulz’s studios. Preparing as he would the drawings and studies for his large-scale skeleton / nature related paintings; he blew up some of the cartoonist’s strips on a twenty-five foot wall in his studio which eliminated the perimeter lines of the cartoon box, leaving only the marks of the cartoonist. Schulz’s painterly pen stroke, now larger than life, translated into painterly brush strokes and was now a language that overwhelmingly connected to Everhart’s own form of expression and communication. Completely impressed with Schulz’s line, he was able to reproduce the line art almost exactly, which in turn impressed Schulz at their meeting. It was directly at this time that Everhart confirmed his obsession with Schulz’s line art style and their ongoing relationship of friendship and education of his line style.
A few years later, while still painting full-time on his previous body of work in his studio, Everhart began drawing special projects for Schulz and United Media, both in New York and Tokyo. These authentic Schulz-style drawings included covers and interiors of magazines, art for the White House, and the majority of the Met Life campaign. When Everhart was not painting, he was now considered to be the only fine artist authorized and educated by Schulz to draw the actual Schulz line.
The paintings using Charles Schulz’s comic strip, Peanuts, as subject matter began and replaced the skeleton and nature related paintings in 1988. The inspiration came to Everhart in Johns Hopkins Hospital, where he was undergoing several operations for stage 4 colon / liver cancer in the summer of 1988. Everhart recalls lying in a hospital bed surrounded by enough flowers to open a florist shop, piles of art books and a stack of Peanuts comic strips sent to him by Schulz. The light streaming in from the window almost projected the new images of his future Schulz inspired paintings on the wall. All the images in Everhart’s work are in some respect derived from Schulz’s Peanuts comic strip.
In January 1990 Everhart’s Schulz related work went on to show at the Louvre in Paris and subsequently in Los Angeles at the L.A. County Museum of Natural History, Montreal at the Museum of Fine Arts, Tokyo, Japan at the Suntory Museum of Art, Osaka, Rome, Venice, Milan, Minneapolis, Baltimore, New York, Houston, Chicago, Las Vegas, and in Santa Rosa California at the Charles M. Schulz Museum.
In 1991, Charles Schulz and United Media drafted a legal agreement to allow Tom Everhart to use subject matter from Schulz’s Peanuts strip in his art for “the term of his life”.
In 1992, Pigpen’s Dirtballs a 72″ x 128″ painting was filmed with the artist in progress for the CBS special “The Fabulous Funnies”. A series of four lithographs were published in 1996 and a series of four more lithographs entitled, To Every Dog There Is A Season followed in 1997. Over the next ten years S2 Art editions and Tom Everhart would create an astonishing body of lithography work consisting of over seventy-four lithographs.
In 1997, Snoopy, Not Your Average Dog, published by Harper Collins, featured an essay and reproductions of Tom Everhart’s Schulz inspired paintings.
In 2000, his first solo museum show was launched at the Suntory Museum of Art in Tokyo and Osaka, Japan. The Exhibition traveled to five other locations in Japan until the year 2002.
CBS, in a Charles M. Schulz tribute, designed an entire sound stage, comprised solely of Everhart’s paintings, that were used with host Whoopi Goldberg, throughout the hour long special, in May of 2000.
After Charles Schulz passed away in February of 2000 it left Everhart with a deep sense of loss as well as an even stronger desire to communicate the incredible gift bestowed on him by Schulz.
Thus, in 2000 Everhart discovered French Polynesia, a small group of islands in the center of the Pacific Ocean. The ongoing trips between French Polynesia and Venice California have had a significant effect on the paintings most easily observed in the luminous color palette. But, most importantly, it offered him a new way of seeing the work that he was dedicated to continuing.
The Charles M Schulz Museum opened in August 2002 and the following year November 14th 2003 Everhart had the honor of presenting his works in a solo exhibition titled Under The Influence. He would also be included in the Museum’s 2011, Pop’d From The Panel exhibition along with Warhol and Lichtenstein.
In 2011 he exhibited 97 works, titled Crashing The Party a solo exhibition at the Animazing Gallery, now AFA in New York.
Tom Everhart continues to lecture around the world on the artwork of Charles M Schulz and to communicate the unique collaborative relationship they shared, as a cartoonist and a painter. To this he has dedicated his life.
After living in San Francisco, Paris, New York, Washington D.C., Baltimore, and London, in 1997 Tom Everhart moved to Venice California where he now lives with Jennifer, his wife and director of their studio.
Today, Everhart is the only fine artist educated by Schulz and authorized to use subject matter from Schulz’s Peanuts strip to create fine art.
A landmark gallery in SoHo since 1984, AFA (formerly Animazing) began as an exhibition space specializing in conceptual animation art. Over time, they broadened that scope to include works by renowned Illustrators as well as fine artists. In 2012, in keeping with the momentum of natural development and growth, the gallery revamped their program with new artists, exhibitions and endeavors and renamed it AFA (Animazing Fine Art).
AFA passionately represents its artists in an enjoyable, informative and accessible environment. The gallery aims to indulge the senses and engage the emotions through works that are layered symbolism and dark complexity. Exhibitions showcase paintings, drawings and sculpture created by extraordinary established & emerging artists in New York, New Orleans, Las Vegas and France.
Media Interviews are coordinated by:
Allison Zucker-Perelman, Relevant Communications,
All Images are courtesy of Peanuts World Wide (c)
A full biography, b-roll, video clips and 300 dpi photography are available upon request @ firstname.lastname@example.org